Is the move from big cities permanent?

Map of the US

My son and a number of my friends have asked what I think about all these people moving out of cities. Well, a Twitter friend, Bernie, posted this to his blog today: Iowa shows why the move from big cities may be only temporary. I agree with his assessment: cities offer more than affordability. I lived for the better part of 10 years in downtown Seattle and loved it. Arts and culture are a part of my soul. Having galleries, coffee shops, restaurants a short walk away delighted me deeply. One my favorite times in my life.

Anyway, Bernie references an article that looks at Iowan politics that might impeded this desire to attract the coastal urban dwellers to the mid-west*: Wood: About that public narrative we’re crafting to attract out-of-state people to move to Des Moines. Summation: the state’s anti-progressive agenda will impede growth. It’s an interesting point of view. For me, personally, politics might be a part, but, ultimately, the whole urban west coast thing is who I am. Even if they had the fastest internet on earth, I doubt I’d be heading east in a U-Haul.

 

*As a life-long west-coaster, I have long loved calling the middle part of the US the middle-east. 

Fannypacks, Life, Death and Resurrection

Timbuk2 Fannypack Ad
Timbuk2 Fannypack Ad

Having come of age in the 80s, I spent several key years with the ever-glorious fannypack. I watched its death without concern, much like the supposed demise of disco and leg-warmers. Recently, I noticed the creeping resurgence of these little gems, along with up-turned collars on polo-shirts (I proudly support polo-shirts, even without the up-turned collar).

So, I found both joy and amusement when the ad above (for high-end bag-crafter Timbuk2) drifted through my inbox. A reminder, I guess, of the old adage “what goes around comes around”.

For some strange reason (weird, aberrant psychology, perhaps), I kept typing “up-terned” instead of “up-turned”. 

Design Matters Podcast Featuring Fanny Singer

Design Matters With Debbie Millman

I’ve been following Debbie Millman’sDesign Matters” for years (I’ve written about previous episodes before). She’s a brilliant interviewer with a great gift for finding interesting guests. With a focus on creatives and the life of being a creative, I find her guests to be inspiring and fascinating. I love seeing a new podcast in my feed.

Today’s episode features Fanny Singer, author, art historian, and, perhaps, most famous for being the daughter of restauranteur Alice Waters, proprietor of Berkley’s Chez Panisse.

I must confess my ignorance of Dr. Singer, Ms. Waters, and Chez Panisse before today. Even though I have an affinity for Berkeley that started in the mid-80s when I was a music student. One year we went to the West Coast Jazz Festival, hosted by Berkeley. I loved the campus and the city and seriously wanted to head there. But, well, life happened. With all that, I’m disappointed in myself for this ignorance.

I highly recommend taking the time to listen to the podcast. For some reason, the podcast is only showing up on the Design Matters Soundcloud feed. Maybe it just takes some more time to ripple out to iTunes, Google’s Podcasts, etc. But, hey, Soundcloud is awesome!

 

The episode references a few things that I thought I’d add links (for your convenience).

  • Fanny’s Instagram
  • Alice Water’s Instagram 
  • Alice’s Egg Spoon: A classic tool that, well, looks like fun to use. Not cheap, but I’m sure hard-core foodies will find it indispensable.
  • Debbie and Alice discuss the fun cooking videos make together during the pandemic. You can see them on their IGTV channels on Instagram (here are their direct links for your convenience: Fanny & Alice). Also, they put together a few YouTube videos through Knopf’s YouTube Channel. Here are the videos (finding them is a bit of a pain):

Colophon: Dr. Singer’s dissertation focused on the British Pop artist Richard Hamilton, who I hadn’t heard of before this podcast (I learned a lot this one). Their description of him makes me extremely intrigued so I intend to research him further. In particular, his cutting edge computer-generated art seems very intriguing.

 

My Thoughts On Seth Godin’s “I’m Sorry Takes Guts”

I greatly appreciate the mind of Seth Godin. Here’s what I read from him today:

“I’m sorry” takes guts

I recently saw two men arguing about who got to use the urinal next.

As a result, neither got what he wanted, and neither could honestly say that his day got better.

The need to win every interaction, the inability to apologize, the short-term over the long-term–this isn’t a sign of strength, it’s a symptom of immaturity and weakness that almost always leads to suboptimal results.

If apologizing engages the network and makes it more likely that we can stay in sync, it pays for itself many times over.

For years, so much of what passes for debate in our culture isn’t, well, debate. So often it’s simply shouting past each other. How many social media posts are titled “My political person just pwned yours”. We don’t value thoughtful discourse, the exchange of ideas, and the basic notion of respect. Right now, we’re about “winning”. And even the illusion of winning gives us a sense of satisfaction. This will not move us forward.

We will never work together, fully, as a society with this model. As long as we value this our divisions will remain. And whatever potential we have will remain unfulfilled.

 

Anand Giridharadas’ TED Talk: A Letter To All Who Have Lost In This Era

I love well crafted writing. Mr. Giridharadas’ letter, read below, gracefully captures one of America’s most painful divisions. I, like him, get very excited by all the possibilities within the coming culture. I forget, also, the many who find their identity challenged, status eliminated. Perhaps illusions shattered. Many of us find it easy to gaze down our spectacles at these people. Doing so damages our witness, denies the hope that I long for. What place exists for these folks? And if we truly value compassion, we need to look at this with a honest, self-aware gaze.